Thursday, July 26, 2018

A Midsummer Night's BOOKBAGGIN IT Update!

Hi, book friends and fellow bibliophiles! Wow, it's been a while, huh? I have no excuses, other than the usual kids/life/books to finish and then another book to finish and still another book and THEN I'll update the blog... ones. So, I won't waste your time with all of those. I'll just get right to my book bag, because WHOA! That baby is really full. Like, splitting the sides of the backpack full.

This actually happened at our house a few months ago - my daughter received what is, to my mind, the coolest backpack of all time for her birthday:



Yes! Of COURSE my daughter is a musical theater kid, and of COURSE she loves Hamilton, because it is the best musical ever! Anyway, she was lucky enough to receive this backpack when she turned 11 in March. At the end of the semester, I noticed it was a victim of its own success. She had packed so many books into it that it had split along the seam.  Since I am not a seamstress and do not want to learn to be one (I'm a KNITTER; sewing is very finicky and hard!), that was the sad end of the Hamilton backpack. I had a similarly loved backpack like this once, when I was just a tiny bit older than my beautiful girl. It was from Culver Academy, where I had spent summer camp after eighth grade with my best friend, Ali, and I carried that bag around to all my freshman year classes very faithfully, especially since I had moved to a new town and was missing my best friend and Culver and all the awesomeness and hilarity and bad decisions that are summer camp. And then my backpack split along the seam, because I was a shameless toter of books, just like I am now! It was navy blue. I can still see it in my bookish mind's eye! Fare thee well, Culver backpack, and I hope you're resting somewhere beyond whatever is the equivalent of the Rainbow Bridge for well loved backpacks, and that everywhere you look, there are girls carrying books galore.

But I digress. Books! I have read many books since we last ran away together! Is there any rhyme and reason to them? Nah, not so much. Although I have binged a little on beach reads. My brain is almost at capacity these days for various reasons and so light reads have been my bread and butter avocado toast these last few months. 

I cannot, of course, regale you with details of every single book. (But I will update my Goodreads reviews over the next week or so with all of my recent reads so if you're REALLY itching for more suggestions and reviews, check here in about 10 days) So I'll just pick a few favorites and hope they're new to you and that you want to run out and find them at the library (or purchase them, of course - I spend much more on books than I do on anything else in the world besides healthcare - and that's only because I'm a cancer patient!)!


Circe

My rating: 5 of 5 stars

Glitters with Magic and Love

I’ve been waiting for Circe since I closed the endpapers of The Song of Achilles. Miller has the expert’s eye and a storyteller’s touch - a female storyteller at that, which makes her remarkable among the other writers and rewriters of the classic Greek tales. 

Here, her gifts are used in telling the story of Circe, child of Helios and one of the lesser gods, the first witch of the world. She spins a tale of bravery, gullibility, fear and courage; she tells the tale of a goddess who has the heart of a mortal. I don’t want to give anything away and thus ruin Miller’s spellbinding tales, but it’s not a spoiler to say that I was astounded by the ways in which Miller was able to imbue her heroine with the same human frailties and fears as those of us mere mortals: the love of a mother, the burning shame of disgrace, the slow and fast at once finding of ones identity and center, the ways in which we all reach for more than perhaps we know, the giddyness of losing one's fear and with it, the donning of grace and gratitude.

Circe’s tales are big and bold, and they’re writ suitably large here. They also feel so familiar - even as they burn with a strange and lovely fire.  Miller deserves to be mentioned among the greats. Give yourself the beautiful gift of seeing an ancient character and story with new eyes. Miller is a marvel. 
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American Fire: Love, Arson, and Life in a Vanishing Land

My rating: 4 of 5 stars

The plain facts upon which American Fire sits prove that dozens and dozens of buildings, most of them abandoned, were deliberately set ablaze in and around the once bustling but now barely whispering Virginia countryside from Nov 2012 through the spring of 2013. A couple of locals wind up being at fault, as is revealed early in the narrative. 

That Hesse is able to keep readers turning pages long into the night around a story that is pretty cut and dry really speaks to her ability to tune into the beating hearts at the center of the tale: the dysfunctions of families, the unswervingly human tendency to do anything for love, the ways in which the disappearance of local power and prosperity can create a vacuum that destabilizes not just a town's economic prospects but also the local culture and collective identity. Don't be fooled: this isn't another attempt by white liberals to find out why white conservatives voted against their own interests in the fall of 2016 - or, rather, if it does go down that road, it does so in a very low-key and nuanced way, skipping the national political conversation almost entirely. What readers are treated to instead is a tale in which the writer's genuine interest in the place, people, and story creates a kind of narrative magic. It's good old-fashioned storytelling about contemporary America, in other words. No "reality" tee-vee or dystopian rabbit holes; no hyperbole or tricks. Just a journalist with her skin in the game and a town full of people who, it turns out, really have their hearts on their sleeves. 

If you wonder why journalism matters in this day and age, read this book! 
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My rating: 4 of 5 stars

At the beginning of 2018, I realized I'd never read much in the way of historical fiction devoted to the experiences of Irish or German immigrants to the US. This gave me pause because I come mainly from German and Irish stock, so I'm slowly trying to remedy that. Sullivan's vibrant and poignant story of several post-World War II young adults who move to America in hopes of a better life offers an illuminating peek into the post-war immigrant experience in and around Boston, MA. And when read against the backdrop of the virulent and shameful anti-immigrant sentiment emanating from the current administration, Saints for All Occasions offers useful insights and surprises.

When Nora and Theresa Flynn leave their 1957 rural Irish home for the United States, they don't leave in a headlong rush due to war or economic catastrophe. Rather, Nora's fiancé, Charlie Rafferty, has already moved to Massachusetts to live with family members, making the logistics of arrival and settling in relatively easy. Each girl is overwhelmed in her own way, however, with the magnitude of change their new lives represent. Nora glimpses a future in which she isn't Charlie's bride after all, and Theresa, meanwhile, gets a taste of falling in love. Will they follow the opportunities that arise? How do they reconcile the complexities of leaving home? How does their conversion from Irish to Irish-American take place, and how does it manifest within the relationships and families they foster? 

Sullivan successfully tackles all of these questions and a number of others even as she evokes the real and messy realities of Irish-American community in 20th century Boston, MA. Children are born, relationships rise and fall, and heartbreaking decisions are made that will forever change the protagonists and their futures. But as all of this unfolds, of course, the characters themselves barely mention any of it. In true Irish Catholic fashion, pain and suffering is hidden and relationships skim along even as dark and complex feelings bubble beneath the surface. This is Sullivan's true sleight of hand: her ability to give her readers a rich, rewarding, deeply felt story that also illustrates the kind of relationships and situations anyone who grew up Irish Catholic herself will recognize with ease. "Don't mention it," is the mantra of the Rafferty family, and such a mandate is upheld thanks to great force of will, fervent faith and prayers...and a lot of alcohol. As in many such families, however, these protections finally falter and then fall. But not until a family tragedy provokes unprecedented situations...

The ties that bind families to each other and those that bind people to their homes (and homelands) are on vivid and beautiful display throughout Sullivan's narrative. It is engaging, heartbreaking, irresistible, and wry creation - truly Irish Catholic to the core. 

Four stars because I did get this book a bit muddled with another Irish immigration story I read, and that irritated me to no end. But a terrific read and set in such an unexpected time (most people think of the late 19th century as the hey-day of Irish influx; situating this in the middle of the Cold War really provides new opportunities for author and reader both)! 


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My rating: 3 of 5 stars

Intriguing dystopian cult debut

This book exists in a tiny vacuum - is it the story of a super creepy cult living outside the boundaries of contemporary society, or is there some kind of context that somehow gives the horrific practices of this community some kind of understandable context? How long has it existed and why does it continue to flourish? Why and how does Janey make such radical mental connections — and is the only one to have ever done so? Where are all the boys the same ages as the girls who take center stage, and how are they brought up in such a way as to willingly take part in the cultural practices of the community? None of it is explained! 
At the same time, the story is beautifully written, with compelling characters and interesting plot developments. Reads more like a novella than a novel, and clearly is a freshman effort. But I’m curious to see what she does next.

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My rating: 5 of 5 stars

Nadia Murad takes Western readers into a world few of them are aware even exists: the settlements of the Yazidi community in northern Iraq. Nadia's people live a simple subsistence lifestyle, farming and raising sheep for local trade, and worship according to the beliefs of their religion, which Nadia explains with patience and grace. She is born and comes of age in a period of war - first the 2003 invasion and occupation of Iraq, and then the subsequent civil war and all that followed. The Syrian civil war further destabilizes her homeland...and then ISIS moves into areas nearby.

As Nadia witnesses the destruction first, of her family's sense of security, and then, of their very home and village, she remains passionate and clear-eyed about the immorality of what she sees. Nadia herself is captured by ISIS, forced into sexual slavery and kept locked away from society. But she does not lose her faith - either in her religion or in her fellow men and women. Her story of living through hellish circumstances, her successful flight to freedom, and her stubborn resilience in fighting the Islamic State even after all that they have done to destroy her and her family is riveting and instructive. Anyone who takes the time to read this will see that the ongoing problems in the Middle East cannot and are not ones that can be understood in stark terms of "good guys" and "bad guys," or "Arabs" versus "Americans" or "Muslims" versus "Christians" -- any of the hysterical and simple-minded explanations for what's amiss and how to fix it pale and fall away once you become beguiled by Nadia and her tale.

This book should be a must-read for anyone curious about the world today, skeptical of the need for American intervention abroad, and lacking understanding about geopolitics. Nadia has much to teach us, and judging from her book and her advocacy efforts, I have few doubts that her young, strong voice is here to stay. 

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In addition to these intriguing works, I've also been reading a lot of Elin Hilderbrand, because it's summer and nothing says summer to me like figuring out messed up relationships while luxuriating in  New England beach town. So far, I've read The Perfect CoupleThe CastawaysSilver Girl, and The Identicals. I still have Summerland and A Summer Affair on deck. I can't help myself!

I usually devour at least one big feel-good dysfunctional family story, too - In the past, Spoonbenders, People We Hate at the Wedding, The Nest, Modern Lovers... have all fit the bill, but I haven't wandered across anything this summer yet so far. Maybe I'll check out one of the books here - or maybe you have a suggestion for me? 

In the meantime, I'm finishing the last book of Jo Walton's Thessaly series right now (I've been on a bit of Greek historical fiction bender). I can't wait to share that with you!


What are you reading to keep you cool these days?





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Wednesday, April 11, 2018

This Week's Bookbag: Never Enough Edition, April 10, 2018

Peek-a-boo!

Every time I've gone to update this blog, I've been in the middle of a really good book, and so I've been all...as soon as I finish this one, I'll update it. But then I keep sneaking off and starting another one and here we are, behind schedule. I also decided to add a new section to my offering and make the "Five Things" section a pop-in now and then rather than a must have, but I haven't actually written anything that will fill that new section yet, which has also contributed to my lack of publishing. And then I've been worried that no one is really even reading this blog (knock twice if you're out there...), so I considered letting it just languish in a virtual drawer until everyone forgot about it. But then. Then I learned that I have at least one new, extremely VIP reader: my daughter!  She is voracious reader and wicked smart, plus kind and funny and generous and thoughtful and adorable and...pretty much the most amazing girl in the world. So I can't very well stop writing now, can I?! No. Of course not. Perhaps I'll even ask her to throw down some reviews for us from time to time. She's 11 and reading Moxie by Jennifer Mathieu (at home) and Chains by Laurie Halse Anderson (at school) and I think her reviews would give us tremendously useful perspectives, don't you? Especially if you're on the hunt for a book that would be of interest to your favorite tween/teen/young adult.  

I'll work on her (so can you - just leave a comment encouraging her and I'll make sure she sees it!) but in the meantime, voilá! I have penned an imperfect and incomplete post that despite its shortcomings I hope will give you a book or two to add to your TBR pile along with some brief entertainment, and maybe even a little joy. *fingers crossed* 





In the Bookbag Last (Coupla) Week(s):
It's been an embarrassment of riches over here. Seriously, I have been hopping from book to book, a little sparrow in the middle of a serious picnic at the park, unable to settle down and finish any single offering in a reasonable amount of time because more delicious offerings keep raining down on me!  And I haven't even been to the library to pick up the books I have on hold this week. (I also haven't read one of the books for book club this month, but shhhh, I think I still have a week or so.) I have several more that I am thisclose to finishing, but alas, you'll have to wait to hear about those next time. For now, though...You know how sometimes when you're reading books that you think are completely unrelated but the more you read of each of them, the more you realize that there are all kinds of synchronicities? Yeah, these books didn't do that at all (*giggle*), so enjoy a little literary potpourri and maybe I'll have overlap next time. 


Anatomy of a MiracleAnatomy of a Miracle by Jonathan Miles
My rating: 5 of 5 stars

Southern Lit with that 21st century twist: A Reality Show

Jonathan Miles’s stab at a fictionalized non-fiction project lands like a dart in a bullseye with Anatomy of a Miracle. The unexplained, spontaneous recovery of PFC Cameron Harris’s severed spine of has all the trappings of a true story, complete with a reality tv experience (which, by its very existence, offers truly gothic and cringeworthy developments) - but it offers so much more, too. The unexpected narrative arc, absorbing and well rounded cast of characters, and the author’s lightly applied but heavily considered overarching pronouncements on the meaning of miracles, science, storytelling, and (of course) love all come together to deliver a story that will leave you thoughtful, surprised, and more than a little heartbroken.

Rarely a false note. I felt a little bogged down by the unrelenting recording of the reality show details but I’m not really a tv kinda girl, so your mileage may vary, as they say. Miles’s ability to employ that reality show, however, in the larger cause of de eloping a gothic southern Lit for the 21st century, though - that delighted and impressed me, and made the parts I found a little tedious more than worth their while.


You won’t soon forget the stories of Cameron, his sister Tanya, and the several others who grow to take their place among the principals here. I won’t tell you who they are because that would spoil all the terrific twists and turns that this story holds! And even as you read the fiction, don’t forget that this could very well be some soldier’s story - at least, several aspects of it. Our young vets have suffered more than most of us will ever know or appreciate. And for what? Miles hints at that Gordonian knot, too. 


Truly, a book worth picking up. It covers so much ground, in so many ways, and in such an engaging manner. Southern fiction has a big new name, and I can't wait to see what he comes up with next.  




Red ClocksRed Clocks by Leni Zumas
My rating: 3.5 of 5 stars

Feminist Dystopia with an Easy Grace
Leni Zumas offers a feminist dystopian vision that has the ability to truly terrify readers, largely because it's not a full-blown dystopian nightmare but rather a future America that is all too possible, tweaked as it is with allowances for climate change and the passage of a law that guarantees the unborn the rights of individuals. Her decisions in this regard allow her - and, thus, her readers - to focus on the interior lives of the book's five female protagonists. It's a refreshing approach. Whether readers pick up this book interested in its dystopian vision or its feminist themes, they likely will find themselves reading a book they did not expect to read. For instance, it's not driven by an audacious plot. The author isn't consumed with an agenda of splashy violence. The women in the book still have agency and freedom of movement. In other words, this is no Handmaid's Tale, and (thank goodness) it's not The Power. Instead, it's a well-crafted meditation on whether and how women would live and be evaluated in a world in which what may or may not be growing in their wombs had the same rights as they themselves did. An unwanted pregnancy, a single woman in pursuit of a child, a stay at home mom, a working mother, a female herbalist living on the margins of society, a high-powered local couple without children - how does pregnancy and motherhood affect these people in Zumas's world?

She interrogates her premise with deliberation and care. Because her world is not so very different from the world in which we all now live, Zumas also subtly encourages her readers to consider the ways in which the lives and fates of her characters differ - and approximate - the lives and experiences of women (maybe even the readers themselves? definitely!) today. The result is an unsettling and provocative read.

I really liked this book. It's a solid read, and it's well-written. There were a few unnecessary tangents, though, and at least one story that didn't unfold as much as I really wanted it to. Why she turned coy on that particular story, I don't understand; it didn't match up with the rest of her editorial decisions or the tone of the work overall. I also wish Zumas hadn't been quite so careful in creating her protagonists: the various women run into the problem of becoming sort of approximations of women, because they're pretty stereotypical. I understand why she made the choices she did in this regard, but it creates serious problems when you're considering the reality and continuity of the novel as a whole. Everything in the book is so believable, so subtly chosen - and then you have these paper doll cut-outs as the key characters. It's not to say that Zumas fails to create believable people. On the contrary: they're so believable that what tips you off to the fact that they're made up is the specificity with which they were created. If it weren't for all of the other realism, I'd be willing to say this was created as a fable. But it doesn't READ as a fable. So when I stepped back and considered how the book was put together, I became quite frustrated! Quirkier characters would have been so wonderful here. I wish we could at least have a few of them sneak in during intermission or something! I know I made up a couple to add to the cast as I was reading and then digesting this work.

But don't let my complaints about her character profiles dissuade you. This book is really worth a read, especially if you're new to feminist fiction, and if I were younger and hadn't read as much as I have, I likely would have given this more stars. I know that I'm really looking forward to the next work Zumas publishes, and I'll have high expectations when I pick it up. A thoughtful and considerate new voice in feminist fiction.  3.5/5 stars.



The Sun Does Shine: How I Found Life and Freedom on Death RowThe Sun Does Shine: How I Found Life and Freedom on Death Row by Anthony Ray Hinton
My rating: 5 of 5 stars

An Important And Accessible Book
Most Americans are not aware of the degree to which our justice system is compromised, racist, and increasingly bent to the will of for-profit corporations. The tragic true story of Ray Hinson’s conviction for a crime he didn’t commit and the subsequent 29 years he spent in a 5x7 cell on death row in Alabama before he proved his innocence and won his release, however, will force society’s eyes wide open. And it will be easy to do so, because Hinson tells an easy to follow, compassionate, shocking tale of what happened to him and how. Whether you come to this book with a curiosity about the injustices Hinson suffered or about the grace that he found and the faith that he followed, you’ll come away impressed and transformed. This is a book of suffering, of violence, of broken hearts - and one of resilience, the power of love, and the meaning of faith as well.

That Hinson was able not only to survive 30 years feet from a death chamber, but also thrive and transform many of the men he met during his incarceration speaks to this man’s great good soul and tenacity. He fights not only for his innocence, but also for the reality that he and his peers are people: men of intellect, emotion, vice, and virtue. He unpacks and reframes the narrative of hate that dominates so many of the lives that end up on The Row. He refuses to judge his fellow inmates, and even his guards. His story speaks to multiple narratives: the experiences of young black men in the post-integration era South, the crippling legacies of racial apartheid and hate, the ways in which even the most open and powerful justice system in the world has been corrupted and repurposed for agendas that have nothing to do with justice. There are subtler stories, too - the difference between the southern black experience in 1985 vs 2015, the ways in which education and loved experience has grown flimsier and more brittle in many ways over the last 40 years, the shifting demographics of death row.

There’s anger and injustice in this book, but hilarity and love and hope, too. Despite spending much of his life in a 5x7 cell, Hinson offers his readers both an unfamiliar story and a thoroughly human one. Everyone should read this book. This is America writ small in 2018: a place of shame, hate, grace, complexity - and legacies that have yet to be decided.

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I've read several other books in the last few weeks, but these were the ones I really wanted to share with you. If none of them sound appealing, please take a gander on Goodreads, where you can always view all my reviews


Watch This Space:
In the next installment of Bookbaggin' It, I'll begin my new column (section?): "Beyond Books." I bet I'm not the only one in the world who subscribes to a fair number of magazines and journals...and fail to read them thoroughly even though I've chosen them specifically because I know they have excellent offerings! My subscriptions fall into a couple of categories: global news, art of all kinds, and American politics. When it comes to news, it's all too easy, especially these days, to get sucked into just reading headlines, twitter feeds, news digests, and so on, while true analysis and commentary languishes. But we, the literari, have a responsibility to read the good stuff! The stuff that will help us not only understand what's happening in the world, but how it relates to what's already happened, and why it matters. And when it comes to art, how else are we supposed to keep an eye out for really excellent new books and awesome new artists if we don't know who's out there on the cusp of publication or installation? I don't want to be someone who only reads the big publishers. I don't wnt my ideas and my imagination to be formatted by someone who created a logarithm and decided that such and such book or a certain art display was going to be a hit. I want to find the little diamonds out there, see artists evolving in real time! Don't you? It's one of the reasons that I order books from a couple of small publishing houses, such as New Directions, And Other Stories, and Tin House. I generally love their authors. I want small houses to succeed! I want the 21st century to truly be the most expansive and creative of any that have preceded it. I'll get off my soapbox now, but...ya know. I just want to see what's out there, and I want you to see it, too. So I'm going to start offering brief summaries and reviews of some of the magazines and journals to which I subscribe. I hope you enjoy it. Maybe you'll even be inclined to order one or two of them yourself! Please let me know.

In This Week's Bookbag:
I'm on the verge, finally, of finishing Swimming Lessons by Claire Fuller, No Turning Back: Life, Loss, and Hope in Wartime Syria (SO many notes on this one. Such an important and of the moment book!) by Rania Abouzeid, and Go, Went, Gone by Jenny Erpenbeck. I also just started House of Angels by Luis Alberto Urrea, and Madeline Miller's Circe just appeared on my Kindle this week - FINALLY! If you haven't read The Song of Achilles by Miller, you truly are missing out. I've been waiting with bated breath for this release since I closed the book on that one a couple of years ago. All signs sort of point to that one winding up at the front of the pack once I finish up Abouzeid and Erpenbeck. Maybe you should pick it up, too, and we can read along! Would anyone be interested in having a little book discussion? We could just pick a book a month and chat about it on my FB page? Let me know your thoughts. 

Happy Reading!

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Saturday, March 24, 2018

This Week's Bookbag: Where The Hell Did March Go? Edition, March 11-23, 2018

You know that old saying, that March comes "in like a lion, out like a lamb"?  Do you think that whoever started it (I'm thinking Aesop, maybe) left the middle of the month out because they didn't know of any animals that were basically tornadoes?

Obviously, news of the Tasmanian devil hadn't made it off of Australia yet when Aesop wrote that saying.  I mean, it's not just me, right? The middle of this month has been a big crazy swirling mass of highs and lows and I have been hanging on for the ride, but just barely.  It has also torn books right out of my hands, and so I am trailing my monthly goal! Luckily, the end of the month does, at this moment, look like smooth sailing. So I am optimistic that I will actually get there.

In the Bookbag Last Week
Despite the insanity of the middle of the month, I did manage to read two books, and they were both intriguing in their own rights, although - why lie? - I completely fangirled out over Hamilton: The Revolution. I was fortunate enough to see the musical this week, and so I am really in the middle of a full-on, Beatlemania sort of crush on the show in general and on Lin Manual Miranda's brilliant mind in particular. Meanwhile, I had a hell of a tough time writing my review for The Immortalists, which is unusual for me, and I'm not really sure why! But I'll stop explaining them and let you read them yourselves: 


Hamilton: The Revolution

My rating: 5 of 5 stars

Here's the thing: this looks like a coffee table book. It's big and heavy and features tons of pictures, the entire libretto (with footnotes by Miranda!), and paper so gorgeous that you want to slide into the book somehow and take the world's most luxurious booknerd nap. But once you're done admiring all of these details and leafing through it, take it into your lap and read it, because it's a serious book and deserves a close reading (or three). Bonus points if you finish it before you see the show!

The book, written by Miranda and Jeremy McCarter, tells the story of the show itself, from the inspiration that struck Miranda as he read a biography of Alexander Hamilton while on vacation, through the seven years of creating and revising and creating and revising, all the way to the Broadway premiere in 2016. Along the way, you'll learn a lot about, among other things, the history of rap music in America, the profound brilliance of Miranda and his "Cabinet," all sorts of tidbits about Hamilton and the other Founding Fathers, the details of the grueling Tech Week before the show opened at the Public Theater, how fashion designers helped solve the problem of what to wear on stage, how "Hamilton" is making its way to the kids who will really benefit most from seeing it, and so much more! It's a pirate's chest chock full of treasure.

As a historian, a writer, a reader, a lover of the arts, a hopeless musical theater kid, a proud and patriotic American, a parent, and a human being, I have been truly swept away by the density of "Hamilton" and its many, many layers of brilliance. This book helped me fall even deeper in love with Lin-Manual Miranda, with the extraordinary stories and ideas that spring to life on his stage, and (to me, most importantly) with the unfinished project that will always be America - that is, its patriots' timeless devotion to the prospect of forming "a more perfect Union." Whether it be through art or assembly, by casting a vote or crafting a tune, Americans always have and will continue to reinvent, reassess, and reaffirm the ideals on which this nation was founded. Hamilton: The Revolution shows us how the vast panoply of actions taken today by those seeking progress and positive change harken back to the actions taken hundreds of years ago by those with similar ideals and energy. Long live the revolution! Rise up!



The Immortalists

My rating: 3 of 5 stars

I'm not telling you anything you won't learn by reading the endpapers, so here's the deal: this story begins with a trip. In 1969, four young siblings visit a fortune teller who will tell people the date of their deaths. The prophecies each kid in the Gold family receives, not surprisingly, become the foundations upon which the stories of their lives - and therefore the book itself - rest. Readers experience the lives of each child in turn as the rest of the book unfolds. We travel with youngest two (baby Simon and younger sister Klara) as they flee the confines of New York City for the anonymity and gritty freedoms of late 1970s San Francisco; Simon doesn't even finish high school. The older siblings (Daniel and Varya) stay closer to home as they come of age, but both pursue multiple college degrees and dutifully help their widowed mother.

Benjamin brings some of her characters vividly alive. She begins with Simon, Ma Gold's favorite child and a study in contrasts. He feels smothered by his mother's attentions but also yearns to find a lover who will be as devoted after he skips town. Meanwhile, he also seeks to enjoy the wild pleasures available to a (very young) gay man in San Fransisco and throws himself into a career as a dancer. As his life draws to a close, we learn how his prophecy may have been the source of many of his decisions. Klara, too, has a wild side. She is also deeply troubled and obsessed by her prophecy, which leads to an obsession with magic and a pervasive ambition to become the first truly successful female magician. As magic becomes her lodestar, will it also prove to be her downfall? Only time will tell! The older siblings are not nearly as vibrant as the younger two, but they each have compelling and strange stories that will keep readers engaged.

And here's where it gets disappointing, at least for me: Benjamin's close attentions to each character and his or her individual plots comes at the cost of a clear overall narrative. The love between Simon and Klara and the ways in which their lives are intertwined keeps the plot train on the tracks, but as we delve into the stories of the eldest siblings, those connections fail and thus the larger narrative story fails. It is only when we reach the end of Varya's story that Benjamin finally reveals some of the key deeper connections and details that make each person's story part of one cohesive tale. For me, that came too late in the game, and so I closed the book feeling somewhat cheated even as I remained impressed by the lives that Benjamin created.

Even though it didn't satisfy me on several important levels, I still recommend it. It wasn't until I stopped to really consider the overall story that the chunky and awkward bits stood out. Furthermore,  Benjamin reaches pretty successfully to pursue the larger questions of fate versus free will and what really makes a family a family while also adeptly tracing the social and cultural changes in America from the late 1970s to the 2010s. Not too shabby! Three and a half stars.


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See? I told you: one shameless love letter and one awkward explanation. Weird combination but that's just how things turn out sometimes, I suppose. 

I don't have five things for you today because, well, they were all "Hamilton" related and I didn't want to press my luck. But I'll just say that every penny spent on that show is worth it, not only because of the joy and insight and blow to the head that it will give you but also because Miranda et al. have committed to doing great things for millions, including hundreds of thousands of the least privileged teens in cities across the nation, those living with HIV/AIDS, and the many communities of Puerto Rico ravaged by Hurricane Maria last fall. Bravo to the hundreds who have created and continue to create this masterpiece! It truly has the capability to be revolutionary. 

In the Bookbag This Week
Ah! A visual for you today! I actually am almost finished with both of these beauties and cannot wait to share my reviews of them with you ASAP:



Other irons in the fire this week include Jonathan Miles's Anatomy of a Miracle, which I'm really enjoying, No Turning Back: Life, Loss, and Hope in Wartime Syria, which is one of the most recent books to emerge from the catastrophic civil war and is keeping me on the edge of my seat, and, in honor of Women's History Month, the high-spirited She Caused a Riot: 100 Unknown Women Who Built Cities, Sparked Revolutions, and Massively Crashed It. It's about as far from a the mentally dusty women's history textbook of your nightmares as you can get. Take a peek if you have a chance! And in the meantime, "Look around, look around at how/ Lucky we are to be alive right now."  

Happy Reading! 


Sunday, March 11, 2018

This Week's Bookbag: Made it to March Edition, February 27 - March 10, 2018

I've kept lists of books I've read and sporadically written book reviews for most of my life, but it was only last year that I began to go about it in organized fashion. It turns out that I like keeping track of what I've read and when - in part because I'm starting to see some patterns emerge. (It's funny to begin to know yourself better through data.) One that definitely sticks out is that February appears to be my reading hibernation period. Last year, I only read five books all month; this year, I only read four! I was feeling pretty frustrated about my pace until I considered this. I'm not sure why I do this - everything just seems like such a struggle in February. It's cold, and it's bleak, and the holidays are long gone but Spring isn't just around the corner. When I try to read, I usually end up falling asleep. I need bright lights, stimulation, brilliant colors, and lots of compliments if I'm going to make it through the month with my cheery personality intact not in complete tatters. Maybe next year, I'll ditch reading books altogether in February and make it my goal to watch all the Oscar contenders instead. (And perhaps I'll cajole myself into reading the books on which the adapted screenplay nominees are set.) I'll be able to feel like I'm up to date on pop culture for about 10 minutes - it will be grand. Will someone please remind me of this plan next January?! 



In the Bookbag last week 
In all seriousness, the minute March arrived - I began to read again. It was as if some internal switch had been miraculously flipped; my inner penguin turned on my reading light.*  Nothing too long or outside my reading comfort zone, mind you. But reading has restarted. Always a good sign! Here are a few of the books that helped nose me out of my winter snow cave: 


I Am, I Am, I Am: Seventeen Brushes with Death

My rating: 4 of 5 stars

I have no doubt that Maggie O’Farrell’s I Am, I Am, I Am will receive many (well deserved) accolades for its vivid vignettes of a life lived a little too close to the caution tape. Some of the stories are spectacular events: mountain treks gone horribly wrong, unintentional explorations of the sea, catastrophic illnesses. Others leave you shivering, even sickened, over what failed to manifest. You’re jolted time and again by the recognition that whatever shimmering force keeps O’Farrell tethered to this existence, it’s both remarkably strong and curiously churlish.

It turns out, however, that the stories are the low-hanging fruit. What really drew my attention was the book’s overall architecture. O’Farrell does away with the standard chronological narrative approach to memoir. Instead, she offers readers a nubile set of essays that slip easily from jaw-dropping rushes of activity to evocative backstory to well-placed, nearly holy meditations and back again without missing a beat. Color me impressed.

If you’re an avid reader, a writer, someone living with physical challenges, into philosophy, interested in the human condition - consider picking up this book. You won’t regret it.

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The Fall of Lisa Bellow

My rating: 2 of 5 stars

The Unknown Realms of Trauma

Eighth grader Meredith Oliver decided to reward herself with a root beer after she finished her Algebra II test on a sunny October afternoon. But there at the Deli Barn, Meredith is victim and witness to a devastating crime. How Meredith copes with the event and her own role in it becomes the focus of the Susan Perabo’s novel. A number of other themes and subplots wind themselves through the book as well: the pressures of middle school social life, the painful helplessness of parents, the ways in which families communicate love.

Perabo clearly has an agenda and a vision. She lavishes attention on several characters and the relationship she develops between Meredith and her brother is insightful, funny, and natural. In the final analysis, though, the book just didn’t come together for this reader. Too many ideas and distractions and too few moments of clarity or meaningful action left me somewhat befuddled and fairly disappointed in the end result. The author has promise, certainly, but she needs more than a picture or relationship to stand in for the plot; the relationship that’s truly at the center of this book is far too vague and neglected to even begin to do that kind work.

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The Hazel Wood (The Hazel Wood #1)

My rating: 4 of 5 stars

Dark and Beautiful: A True Fairy Tale

Alice Proserpine has lived a life on the run with her mother, Ella: they relocate and relocate, but the worst kind of luck finds them again and again. But one day...

One day, Ella receives a letter which convinces her that the bad luck is over. That together they’ll be free. Free of rushed exits, free of a mother and grandmother who never contacted them, free of darkness whistling behind the kitchen door. But Ella, it turns out, is wrong - so wrong. The darkness has only just begun...

So starts the story of Melissa Albert’s The Hazel Wood, a story of fairy tales full of broken hearts and cruel magic, of love that can only do so much, of people who move through the world with a kind of electric purpose. None of it is lovely. None of it is grand. Instead, this book is scary, and thrilling, and violent. It’s everything a grownup fairy tale should aspire to be.

Albert writes a hell of a good story, and peoples it with scintillating characters. My favorite aspect of her work, however, is her ability to write original and brutal similes and metaphors. No cliches, but no reaching for an imperfect, tortured comparison either. Each time she gives us a new one, she nails it so completely that I grew a little suspicious that perhaps she’s got some magic of her own. In all seriousness, though, writers should read this just to study her metaphor and simile constructions. They’re tiny little masterpieces, complex as a honeycomb held up to the light.

A tremendous debut by Albert here. If it weren’t for some formulaic plot points in the final third of the book, this would have been five stars. But don’t let that keep you from swiping this book for yourself. You want to have this magic world inside your mind, even if it scares you.

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The Monk of Mokha

My rating: 2 of 5 stars

America knows far too little about Yemen - which, due to 21st century geopolitical realities, is really a tremendous failing. Today, right now, Yemenis are dying by the thousands in a war fueled by American weapons and perpetrated by American allies. Society is on the brink of complete and utter chaos. The human toll due to starvation and disease is staggering. Learning more about Yemen may very well help call attention to this international travesty. And so I came to Dave Eggers's book with high hopes. Who better than a high-profile guy like Eggers to call attention to Yemen, and through the profiling of a dedicated and charismatic Yemeni-American activist?

I was wrong, though. This book has some really important and useful information to impart about Yemen, and Eggers does a nice job in attempting to tease together a reliable and convincing narrative about what has happened in Yemen over time, and why. But unless you're intensely interested in the minutiae of very high-end coffee brewing, the global history of coffee, the Yemeni diaspora, and recent Yemeni history, this book may be for you what it was for me: a slog. I couldn't even finish it. And I wanted to! But I don't care particularly about the history of Blue Bottle coffee or the networking necessary to try and create a reliable supply chain across a region and a nation in crisis. I just couldn't keep struggling through all that kind of stuff in order to see how the story that truly interested me ended (I mean, I skipped ahead, of course, but that's neither here nor there).

I really hope there is someone who cares about all of the issues and histories and people I mentioned that compete for attention in this book. Because whoever that person is, they are going to find themselves enjoying the best read of their life when they pick this up. As for me, I'm going to have to keep looking at the newest releases related to Yemen and hope that I find one compelling enough to share with friends and fellow bibliophiles.


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Five Things This Week 

1. Smiles for Miles
Someone anonymously sent me this little bottle of essential oils. I can honestly say that I've never enjoyed an essential oil more. It smells like sunshine and it really does make me happy! You should get some if the winter blues are wearing you down. Or if you just want to feel happy. 💛💛💛💛












2.  Hawaiian musical instruments
When our family visited Maui in January, we went to this fantastic little shop and found a million treasures. They included a dear little metal finger harp thing made out of a coconut, a magical thunder maker, an egg that makes rain, and a bamboo mouth organ. We keep them all in a little bronze bowl in our living room, so that we can make music - and weather - whenever we want to. If you want some of these terrific items, that magical shop has an online presence. Click through on my Maui photo caption.
http://www.bananawindhawaii.com 
Everyone has Hamilton fever, especially here in Denver, where it has just arrived to kick of its national tour.  My kids and I know all the words to all of the songs on the soundtrack already, but we didn't know about the Hamilton Mix Tape album until this week! Maybe I'm just totally behind the times, but if you haven't heard this, you definitely need to! My favorite songs are #3 and #7.

4.  RBG.
There's a documentary, and it's coming May 4th. Need I say more? 


5. Stack Magazines
Want to read more magazines and journals? Want to support new projects, or just find the perfect fit? Try out the Stack subscription. It sends you two magazines a month. I subscribed in January and have been really loving what they send along. Always quirky and absorbing. Check it out! 


In the Bookbag This Week
I'm about halfway through  Chloe Benjamin's The Immortalists (finally!) and have The Mayor of Mogadishu at bat (it's nearly due back at the library, so I need to get a move on there). I'm also flirting with Go, Went, Gone by Jenny Erpenbeck, which is translated from German and about the European immigration/identity crisis. And I've really been wanting to sink my teeth into Jeff Guin's The Road to Jonestown: Jim Jones and the People's Temple, but it hasn't seemed like the right time. Until now. Well, maybe. I also have a trip to DC on deck at the end of the week, so who knows what will occupy my brain while I fight against my very real fear of flying (no, this isn't a cheeky reference to Erica Jong!). 

Until we meet again, book friends! May you be blessed in the week ahead with at least one absorbing book and many good times. 


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* That probably made next to no sense to you. When I was a kid, some cartoon featured a little vignette where the freezer light was turned on and off by a tiny, silent, industrious penguin.  At least, that's how I remember it. Anyway. I believed it with my whole heart and spent more time than was absolutely necessary loitering around our refrigerator/freezer, opening and closing the freezer door at random, hoping like hell I'd catch that little guy. Never did, although he probably would have pecked me to death if I ever had, because I made his job VERY difficult. Yes, part of me still believes in the penguin. Don't try to convince me otherwise, and shame on you, too, for even considering it.



If you're enjoying my blog, please share it with your favorite book-reading friends and neighbors. You can sign up for email notices when a new entry has been posted by clicking the "Subscribe" button at the top of the page, set your calendar to remind you to check in with me on Friday afternoons or Saturday mornings (I try to have this out the door by 4pm on Fridays so we can all start our weekends reading!), or you stop by and like Friends of Bookbaggin' It on Facebook, if you're a social media sort. There you'll find my weekly blog updates as well as some fun links and the occasional musing. Hope to see you soon and thanks for reading! 

Tuesday, February 27, 2018

This Week's Bookbag: In the Deep of Winter Edition, Feb 16-27, 2018

It's the middle of February, and you know what that means: it's cold all the way to your bones. Even though I live in the great state of Colorado, which boasts a pretty temperate climate and records far more sunshine each winter than any other city in which I've ever lived, I've still had to force myself out from under many layers of cozy blankets and pry myself away from the nest of pillows that keeps me warm every night. 

I've also had a parade of illnesses and have been taking so much cold medicine that I haven't even been reading. (WhAt?? I know, it shocks me a little, too.)  This is why there's been a posting delay. In better news, I intended to post on Friday afternoon as usual - but I then I started reading a new book and I knew I had to finish it first and share it with all of you, so I delayed, thinking I would definitely finish it by Saturday. And then I DID finish it Saturday night, but stayed up so late finishing it that I slept in FAAAAAAAR too long on Sunday, and then spent the rest of the day trying to make up for my slothfulness instead of writing this blog post. 

So here we are. I have books to share, the Olympics are over so I can stop pretending that I like them as much as I love the Summer Olympics, I polished off all of the episodes of "Eureka," and my cold appears to be on the run. It's a fresh start, smack in the middle of winter. A little off-schedule, but ten minutes late is my brand, as anyone who knows me can tell you, so it's all good. 

Now listen up, because I have a couple of great books for you! Worth the wait, I promise. 


In the Bookbag Last Week:
My book bag was a jumble of magazines, crossword puzzles, lists of movies I need to watch before the Oscars....and several great books. I don't even know how this first one made it's way in there, because it's neither hot off the presses nor a recommendation from a friend. It's by Valeria Luiselli, though, whose writing I really enjoy, and it's on a hot topic: immigration, so I suppose I read about it somewhere and ended up buying the paperback (weird, I know).  In any case, good job, me! This is an excellent introduction to American immigration policy towards minors from Central America. I opened it expecting to be schooled...and I closed it completely schooled and not a little horrified at what is being done in our name under the fig leaf of "national security." I highly recommend this bitty book (only about 100 pages) to anyone new to the immigration debate, especially as it exists in relation to our neighbors to the South. If you're skeptical of or opposed to immigration - well, you should read this. It's for everyone. Here's my review: 

Tell Me How It Ends: An Essay in Forty Questions

My rating: 4 of 5 stars

Valeria Luiselli’s brief book about the undocumented children of Latin America who have been streaming towards the United States since 2014 is an excellent primer on the ways in which the children of Honduras, Colombia, and El Salvador have been forced into the most desperate of situations that Luiselli persuasively describes as part of a transnational war in which the intersecting marketplaces for drugs, guns, and gangs have created a trail of murder and persecution that stretches from the Southern most borders of Honduras all the way to the northeast corner of the USA.

Luiselli writes tersely about the horrors these hundreds of thousands of unaccompanied minors suffer prior to their arrival in the US - as well as the terrible circumstances they face when they (almost universally) turn themselves willingly over to the US Border Patrol and ICE. Thanks to at least a decade of punishing and biased legislation and policy under presidents of both parties, the kids who risk their lives to arrive here - after fleeing gang violence, sexual and physical assaults, homelessness, broken families, lack of schooling, and so much more in their home communities - hoping to reunite with parents or other relatives face terrifying odds in successfully claiming special immigration or asylum status.

Although I have long been a general critic of America’s approach to its relations with its southern neighbors, I knew next to nothing about recent immigration law. What Luiselli shares here following her own work as a translator for the minors at the center of the story was a revelation to me. The fact that she writes the bulk of her narrative in 2015, before the aggressions of the Trump era, leaves me completely shocked and additionally terrified for these kids who are caught in the deep net of policies, relationships, and compromises that are local, regional, and transnational and can be traced back to attitudes and actions taken decade before any of them were born.

These children are refugees of war and turmoil. They deserve our protection, not our dismissal. Read this book and learn what is happening in our name, within our borders and far beyond them.

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I've noticed that right now, for whatever reason, I need to follow up any serious reads with something (sometimes several somethings) light and fast. Palate cleansers? Maybe, but it's not as though I'm in a total beach read/ chick lit sort of place: I still want to be enchanted and beguiled. I just don't want to add to my worry quotient. Anyway. The latest light read was Moxie by Jennifer Mathieu.  I can't wait for my middle school daughter to finish the book she's reading now so that she can check this one out!


MoxieMoxie by Jennifer Mathieu
My rating: 4 of 5 stars

Jennifer Mathieu's Moxie is the book I wish I had when I was in high school - but of course, that would be anachronistic, so makes no sense, but just roll with me here. Viv, the book's protagonist, lives in rural Texas, where sexism is still seen as the natural order and football rules the day. Quietly seething over the injustices, Viv becomes emboldened with a little assistance from her Gen-X mom, a former Riot Grrrl turned single parent healthcare worker, and her "My Misspent Youth" memory box.

The actions of Viv and her schoolmates feel believable; Mathieu has constructed the world of East Rockport, Texas with such assiduous and loving care that there's no reason to doubt the actions or the ideas of the people living there at all. I love Viv and her mom and even the grandparents. I know that's simplistic but they're utterly real and make it so easy to understand how injustices and terrible traditions continue to perpetuate themselves despite people's personal beliefs or views. Their very existence helps readers understand inertia can be just as damaging as any other social
force, and that's a difficult concept to share.

Written for a YA audience but bound to be loved by today's Gen X parents, too, Mathieu's Moxie is a must read for any kid ready to fight back, even if their voice is shaking. Fun and interesting read.

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...And then we come to the book that may have gone and done it already: nabbed the top spot for the whole year. Educated by Tara Westover. It's a memoir, and utterly unlike anything else I've ever read. I'm still turning it over and over in my mind, and I'm sure I will be for weeks and months to come. Don't come to this one expecting ponies and butterflies. It's intense and it's horrifying and it's full of hope, too. Prepare yourself, and then clear your calendar:


Educated: A MemoirEducated: A Memoir by Tara Westover
My rating: 5 of 5 stars

Whoa. Scoot down to your local bookstore and get your hands on a copy of Tara Westover's memoir tout de suite, because this is a barnburner of a memoir and sure to dominate the best books lists of 2018. And for good damn reason!
In measured and unflinching fashion, Westover shares the story of growing up as the youngest member of a family led by an antigovernment Mormon survivalist father. In the mountains of rural Idaho, she never attends school and also is not homeschooled; everything she learns, from reading to math and science, she does on her own, with very few resources aside from the Bible and the Book of Mormon. Instead, she learns how to live off the grid and without government assistance or modern medicine of any kind. With little fanfare, she describes her childhood as one of packing "go" bags, helping her mother create essential oils and act as midwife for others in their tiny community, and sifting through the detritus of her father's metal scrapyard. We watch alongside her as her father builds an impressive arsensal and buries thousands of gallons of gasoline in their field in preparation for Y2K. We hear the story, over and over, of how Randy Weaver and his family were murdered by the government for not sending their children to school and how easily it could have been them. We see Tara grow old enough to begin helping at the junkyard and at various construction sites in earnest, lugging scraps, clambering across roofs without harness or hard hat (it would slow them down, so her father forbade it), knocking together sheet metal, and so on. The work this child is required to perform takes your breath away - but that's barely the beginning.

As Tara takes us deeper into her experiences, she reveals the dangers of living under the leadership of a paranoid and energetic man. He takes risks with his life and with the lives of his family that I cannot understand, and the results at times are truly catastrophic. Rather than recognizing the need for limits of any kind, however, her father doubles down on his behavior and continues to act with complete disregard for the physical and mental safety of himself and his family members. The calamities and callousness continues. And soon there are new kinds of challenges Tara must face...

Eventually, assisted by one of her brothers, Tara decides to try and go to college. This is no big spoiler, since it's on the back cover and included in every blurb I've seen. But the sheer difficulties she faces in getting to college are heartbreaking, and once she arrives, the world is a completely exotic place to her (it reminded me so much of A Stone of Hope in this section). She not only earns a BA, but an MPhil and a PhD as well - from Cambridge, no less. This portion of the story is not as well developed as the earlier experiences, but that only makes sense, since Westover only finished her studies a few years ago. I'm sure I'm not alone in hoping that we hear a literary update from her in the years to come. I wonder how much more difficult the road will be for her, as she finds she must confront so much trauma and betrayal in order to heal. It won't be easy. But if there's ever a person willing to tackle the most daunting of tasks, it is Professor Westover.

The real wonder of this work isn't that she has survived and even managed to thrive despite the catastrophes and hardships she experienced. It's that the book is written with such extraordinary nuance and skill. As it opens, you realize that her life is unusual, but she has a way of telling her story that beguiles you into thinking that it's not as horrible as you might think should you merely read a list of what she lived with - and without. And as she matures, so too (very slowly) does her awareness of the strangeness of her life. As her own blinders are removed, so too are the readers - and she does it in such a subtle, unsentimental fashion that it floored me time and again. Moreover, she manages to draw portraits of the portraits of the people responsible for her experiences with amazing grace and power. She neither makes apologies for them nor does she brand them as the abusive and sociopathic people they undoubtedly are, even as she tries to grapple with the harm they have inflicted on her identity, her outlook, her very life. And she manages to do all this within the mental framework of someone who didn't experience any kind of organized learning until she wound up at BYU. Who had never written a journal or an essay; who had never taken notes. Someone who didn't grow up reading great authors - or any authors at all, really. It's just a remarkable achievement, and one I deeply admire.

Westover's story is unforgettable. Her writing, unparalleled. Her book? Read by far too few thus far (but then again, it just dropped a week or so ago). Pick it up and you won't be able to put it down, I promise.

View all my reviews
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Five Things This Week:

1. The Oscars are coming!! I love watching the Oscars, but I haven't been very good about watching many of the big contenders in the last few years. I've been on a quest to prepare myself for this one, though, and so I will be filling in my ballot with confidence come Sunday.  Are you a movie buff? Are you rooting for anyone? My lips are sealed until next week...




2. Boxwalla: I decided to try this subscription box out on a whim, in hopes of finding some new authors and publishers. I just received my first box and although I haven't read any of the books completely yet, a peek inside the covers revealed some really promising work! Give it a whirl! 

3. Amelia Bloomer Awards:
I just stumbled across this list because I read one of its recommendations this year (Moxie!). The organization pulls together a list of annotated new works for the 18 and under set that have "significant feminist content." 

4. Beatrix Potter:
Related image
Maybe it's because I'm really jonesing for spring, or maybe its because my kids are now officially too old to read Beatrix Potter and I feel a little nostalgic. I loved those little books so much - I checked at least a couple out at the library every week for years and years. Nothing like that perfect child sized book and its shiny white cover, the gentle illustrations and the utterly British stories, full of eccentric and sometimes truly naughty characters! My favorites are Mrs. Tiggy-Winkle and Squirrel Nutkin. Who are yours? 

5. And just under the wire, a few favorite reads in honor of Black History Month that you might not have heard of but are sure to enjoy: Sag Harbor by Colson Whitehead, Mules and Men by Zora Neale Hurston, Underground Airlines by Ben H. Winters, The Bluest Eye by Toni Morrison, Trouble in Mind: Black Southerners in the Age of Jim Crow by Leon Litwack, Everyday Africa: 30 Photographers Re-Picturing a Continent by Merrill et al., eds, and Akata Witch by Nnedi Okorafor.  Share your favorite! 

In the Bookbag Now: 
Oh, heck. I don't know. Here's what I have read significant portions of in the last four days: The Hazel Wood by Melissa Albert, The Monk of Mokha by Dave Eggers, I Am, I Am, I Am by Maggie O'Farrell, and Swimming Lessons by Claire Fuller. What actually winds up making it to the finish line is a carefully kept secret...or just whatever my mood demands.


If you're enjoying my blog, please share it with your favorite book-reading friends and neighbors. You can sign up for email notices when a new entry has been posted by clicking the "Subscribe" button at the top of the page, set your calendar to remind you to check in with me on Friday afternoons or Saturday mornings (I try to have this out the door by 4pm on Fridays so we can all start our weekends reading!), or you stop by and like Friends of Bookbaggin' It on Facebook, if you're a social media sort. There you'll find my weekly blog updates as well as some fun links and the occasional musing. Hope to see you soon and thanks for reading!